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Source: 
p. 9, b. 145-165
p. 1, b. 1-17
p. 2, b. 18-32
p. 3, b. 33-62
p. 4, b. 63-78
p. 5, b. 79-98
p. 6, b. 99-116
p. 7, b. 117-131
p. 8, b. 132-144
p. 9, b. 145-165
p. 10, b. 166-182
p. 11, b. 183-202
p. 12, b. 203-223
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FE - French edition
FE1 - First French edition
FEO - Orda copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
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FE - French edition
FE1 - First French edition
FEO - Orda copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
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  b. 153

d2 in chord in FE (→EE)

c2 in chord in GE

Both versions are musically satisfying, in all respects; we cannot say anything definitive about possible corrections either – two possibilities could be likely: a change in the last stage of proofreading FE (→EE) and possible Chopinesque proofreading of GE. On the other hand, one cannot exclude a mistake by the GE engraver, who could have considered the middle notes of the last two chords to be identical (the discussed note is placed in FE too low). In the main text we provide the undoubtedly authentic FE version, perhaps the latest one. The GE version can be regarded as a potentially authentic variant.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Authentic corrections of FE, Authentic corrections of GE

notation: Pitch

Missing markers on sources: FE1, FEO, GE1, GE2, EE1