mUltimate Chopin

Op. 12, Variations in B♭ major

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Page: 
Source: 
p. 11, b. 183-202
p. 1, b. 1-17
p. 2, b. 18-32
p. 3, b. 33-62
p. 4, b. 63-78
p. 5, b. 79-98
p. 6, b. 99-116
p. 7, b. 117-131
p. 8, b. 132-144
p. 9, b. 145-165
p. 10, b. 166-182
p. 11, b. 183-202
p. 12, b. 203-223
Main text
Main text
FE - French edition
FE1 - First French edition
FEO - Orda copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FE - French edition
FE1 - First French edition
FEO - Orda copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
Importance
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Important
Main
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  b. 199-202

No pedalling in FE (→GE,EE)

Our variant suggestion

Taking into account the homogenous texture in bars 199-202, we consider it unlikely that Chopin would have wanted to apply a different pedalling concept to the subsequent half-bar figures. Therefore, in the main text we indicate the possibility of supplementing pedal markings, taking into account possible extra-musical reasons for the absence of some of them, such as oversights or lack of space.

Compare the passage in the sources»

category imprint: Editorial revisions

issues: Inaccuracies in FE

notation: Pedalling

Missing markers on sources: FE1, FEO, GE1, GE2, EE1
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