



Page:
Source:
p. 11, b. 183-202
Main text
Prezentacja
Select

Taking into account the homogenous texture in bars 199-202, we consider it unlikely that Chopin would have wanted to apply a different pedalling concept to the subsequent half-bar figures. Therefore, in the main text we indicate the possibility of supplementing pedal markings, taking into account possible extra-musical reasons for the absence of some of them, such as oversights or lack of space.
Compare the passage in the sources»
category imprint: Editorial revisions
issues: Inaccuracies in FE
notation: Pedalling
Missing markers on sources:
FE1, FEO, GE1, GE2, EE1