mUltimate Chopin

Op. 12, Variations in B♭ major

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Page: 
Source: 
p. 1, b. 1-17
p. 1, b. 1-17
p. 2, b. 18-32
p. 3, b. 33-62
p. 4, b. 63-78
p. 5, b. 79-98
p. 6, b. 99-116
p. 7, b. 117-131
p. 8, b. 132-144
p. 9, b. 145-165
p. 10, b. 166-182
p. 11, b. 183-202
p. 12, b. 203-223
Main text
Main text
FE - French edition
FE1 - First French edition
FEO - Orda copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FE - French edition
FE1 - First French edition
FEO - Orda copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
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Important
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  b. 17

Dotted rhythm in FE (→EE)

Semiquavers in GE

The missing dotted rhythm in GE seems to be neither the engraver's mistake nor the edition's revision. Chopin probably introduced it into FE (→EE) after having sent the GE basis. Taking into account the fact that the authenticity of the GE version is highly likely, it can be regarded as a fully-fledged variant. 

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE, Dotted or even rhythm

notation: Rhythm

Missing markers on sources: FE1, FEO, GE1, GE2, EE1
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