Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
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Op. 12, Variations in B♭ major
The last R.H. chord is devoid of accidentals, which results in c2-e(
)2-f2-a
2. This is a patent mistake, as there is no doubt that it is a typical dominant seventh chord in B
that should be used here. Both necessary naturals, to the outermost notes (c2 and a2), were added in GE, while in EE only the bottom one.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Errors in FE, Omissions to cancel alteration, GE revisions, Errors repeated in EE
notation: Pitch