Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
WN 29, Waltz in E minor
In PE this bar opens a new page. In the L.H. part the previous bar ends in the treble clef, yet in the discussed bar at the beginning of the line there is a bass clef in PE1, followed immediately by a treble clef. This unnecessary complication resulted from a bass clef having been placed by mistake at the end of bar 123, which was then removed, still in PE1 (one can see traces of this mark). In PE2 this version was simplified by placing a treble clef right at the beginning of the bar. In GE, in which – as in our transcriptions – both bars fall in one line, no clefs are necessary here. While performing the correction in PE2 the arpeggio mark before the L.H. chord was removed by mistake.
Compare the passage in the sources »
category imprint: Differences between sources; Source & stylistic information
issues: Errors in PE, Revisions in #PE
notation: Pitch
