![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Errors in GE
b. 21-25
|
composition: Op. 30 No. 4, Mazurka in C# minor
..
The F category imprint: Differences between sources issues: Inaccuracies in GE , Errors in GE , GE revisions , Wedges |
|||||||||
b. 22-24
|
composition: Op. 30 No. 4, Mazurka in C# minor
..
In bars 22 and 24 the L.H. sets of markings – consisting of a staccato dot and a slur – could have been added by Chopin to [A] after FE had already been engraved. It is less likely that they could have been added by Chopin to FC, since they are not characteristic of Chopin's additions. category imprint: Differences between sources; Corrections & alterations issues: Errors in GE , Authentic corrections of FC |
|||||||||
b. 63
|
composition: Op. 30 No. 4, Mazurka in C# minor
..
We justify the long accents suggested in the main text by inaccuracies in the reproduction of such accents in other pieces by Chopin both by Fontana (cf., e.g. the Scherzo in B category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Errors in GE , GE revisions |
|||||||||
b. 65
|
composition: Op. 30 No. 4, Mazurka in C# minor
..
category imprint: Differences between sources issues: Errors in GE , GE revisions |
|||||||||
b. 101
|
composition: Op. 30 No. 4, Mazurka in C# minor
..
category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors in GE |