Pedalling
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b. 27-28
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composition: Op. 30, Mazurka in D♭ major
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The absence of pedalling in FC (→GE) could be caused by the same issue as the absence of the R.H. slur – distraction at the end of a page. Another possibility could be an oversight by Chopin, who was adding pedalling to FC – starting from bar 29, which opens a new page in FC, the pedal markings are written in Chopin's hand (to bar 39). category imprint: Differences between sources; Source & stylistic information issues: Errors of FC , Authentic corrections of FC |
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b. 31-39
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composition: Op. 30, Mazurka in D♭ major
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All pedal markings in these bars are written in FC in Chopin's hand, which means that the same markings in FE were added in the stage of proofreading this edition or to the basis thereof. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 38
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composition: Op. 30, Mazurka in D♭ major
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The pedalling of FE (→EE) seems to be a mistake, even if it was entered by Chopin. The pedalling of bars 25-39, compliant between FC and FE except this place, reveals an easy-to-grasp regularity – the use of pedal is marked only where the bass notes are played separately – a regularity that the discussed markings of FE break. category imprint: Differences between sources issues: Errors in FE |
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b. 95
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composition: Op. 30, Mazurka in D♭ major
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As was the case with the fermatas, both pedalling versions may be authentic – both the standard FC version and the single category imprint: Differences between sources issues: No pedal release mark |
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