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Issues : Authentic corrections of FE
b. 4
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composition: Op. 30 No. 2, Mazurka in B minor
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The cautionary category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of FE |
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b. 17-30
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composition: Op. 30 No. 2, Mazurka in B minor
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In FC both poco a poco cresc. - - - indications (in bars 17-23 and 25-31) are added in Chopin's hand, which means that they were also added in the stage of proofreading FE or to the basis of FE. The same in bars 49-55 and 57-63. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 24
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composition: Op. 30 No. 2, Mazurka in B minor
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Completing the R.H. top voice with a rest on the 3rd beat in the bar is an example of ultra-correct notation, used by Chopin only exceptionally, and in this case even misleading – f category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 48
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composition: Op. 30 No. 2, Mazurka in B minor
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The improved voice leading, achieved by avoiding parallel B-f category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE |
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b. 64
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composition: Op. 30 No. 2, Mazurka in B minor
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This is the most significant difference between the authentic sources – FC and FE – in entire opus 30. The FE (→EE) version, which is a clear improvement of the Mazurka ending, must have been introduced by Chopin in the proofreading of or in the basis for FE instead of the FC (→GE) version. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Authentic corrections of FE , Bass register changes , Main-line changes |