mUltimate Chopin

Op. 29, Impromptu in A♭ major

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Page: 
Source: 
p. 2, b. 16-30
p. 1, b. 1-15
p. 2, b. 16-30
p. 3, b. 31-51
p. 4, b. 52-73
p. 5, b. 74-91
p. 6, b. 92-106
p. 7, b. 107-127
Main text
Main text
A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
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Graphic ambiguousness
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Pitch
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
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  b. 16-17

 

 

We consider the interpretation of A's accents as long to be more probable, as they emphasise the imposition of longer rhythmic values (crotchets) on the triplet figuration. In the editions, all accents were recreated as short ones.

See b. 15

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents

notation: Articulation, Accents, Hairpins