mUltimate Chopin

Op. 29, Impromptu in A♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 5, b. 74-91
p. 1, b. 1-15
p. 2, b. 16-30
p. 3, b. 31-51
p. 4, b. 52-73
p. 5, b. 74-91
p. 6, b. 92-106
p. 7, b. 107-127
Main text
Main text
A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Differences
No differences
A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
Importance
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Important
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  b. 87-88

 

 

 

Lack of the accents in A, FE and EE probably does not mean that the motifs in those bars are to be performed differently than in the remaining analogous places. Therefore, taking into account the accents added in GE2 (→GE3→GE4) seems to be completely justified. However, we maintain the notation of the basic source (A), as the remaining sources do not clearly indicate Chopin's inattention only in this case while writing A.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Articulation, Accents, Hairpins