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Source: 
p. 5, b. 74-91
p. 1, b. 1-15
p. 2, b. 16-30
p. 3, b. 31-51
p. 4, b. 52-73
p. 5, b. 74-91
p. 6, b. 92-106
p. 7, b. 107-127
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A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
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A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
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  b. 90-91

We give the crescendo hairpins of FE. At the same time we correct the clearly imprecise sign in the 2nd half of bar 91 on the basis of analogous bar 9.
The signs in EE in bar 91 are probably erroneous – it seems that it is the signs from bar 92 or 94 that were placed here.
Lack of remarks in A (→GE1) is probably Chopin's oversight. In GE2 (→GE3GE4) they were completed according to bars 9-10.  

See b. 87-88

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Scope of dynamic hairpins, GE revisions

notation: Articulation, Accents, Hairpins