mUltimate Chopin

Op. 29, Impromptu in A♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 5, b. 74-91
p. 1, b. 1-15
p. 2, b. 16-30
p. 3, b. 31-51
p. 4, b. 52-73
p. 5, b. 74-91
p. 6, b. 92-106
p. 7, b. 107-127
Main text
Main text
A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
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Graphic ambiguousness
Interpretations within context
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Differences
No differences
A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
Importance
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Important
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  b. 89

 

 

 

 

We give the range of the crescendo hairpins on the basis of A. The signs in GE and EE are not much different in comparison with it: the hairpins in EE are slightly moved to the left and in GE they are equally extended on three triplet groups. The sign in FE is clearly different – its beginning is moved under the 2nd triplet group – and incompatible with analogous b. 7, hence it can be erroneous.  

Compare the passage in the sources»

category imprint: Differences between sources

issues: Scope of dynamic hairpins

notation: Articulation, Accents, Hairpins