mUltimate Chopin

Op. 29, Impromptu in A♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 6, b. 92-106
p. 1, b. 1-15
p. 2, b. 16-30
p. 3, b. 31-51
p. 4, b. 52-73
p. 5, b. 74-91
p. 6, b. 92-106
p. 7, b. 107-127
Main text
Main text
A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
Importance
All
Important
Main
Undo Clear
Prezentacja
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  b. 95-96

 

 

 

 

 

The crescendo and diminuendo hairpins in bars 95-96 differ slightly in their range. In A the beginning of the dim. hairpins is written in a way which can suggest their beginning still in bar 95 – they are clearly extended in the new line. GE1 lacks the dynamic marks in bar 96. They were already completed in GE2 (→GE3→GE4). FE is lacking crescendo in bar 95, whereas EE is lacking diminuendo and crescendo in bar 96.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Scope of dynamic hairpins

notation: Articulation, Accents, Hairpins