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Source: 
p. 3, b. 31-51
p. 1, b. 1-15
p. 2, b. 16-30
p. 3, b. 31-51
p. 4, b. 52-73
p. 5, b. 74-91
p. 6, b. 92-106
p. 7, b. 107-127
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A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
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A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
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  b. 50

In A (→GE1) and FE there is no natural raising d1 into d1. In this context, it is undoubtedly Chopin's oversight, one of the most common. The natural was added in all 3 pupils' copies. In GE2 a flat was added in front of the upper note, which was corrected in GE3 (→GE4). EE has doubly erroneous version, caused probably by Chopin's manner of writing seconds vertically and not diagonally.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies, Errors in EE, GE revisions, Omission of current key accidentals

notation: Pitch