mUltimate Chopin

Op. 29, Impromptu in A♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 5, b. 74-91
p. 1, b. 1-15
p. 2, b. 16-30
p. 3, b. 31-51
p. 4, b. 52-73
p. 5, b. 74-91
p. 6, b. 92-106
p. 7, b. 107-127
Main text
Main text
A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF Main text

  b. 85-86

The sources differ in the range of the diminuendo hairpins. In A they begin on the 4th quaver in bar 85 and they end under the 10th quaver in bar 86. In GE the range of the hairpins was simplified, positioning them in the entire space of bars 85-86. In GE2 (→GE3→GE4) the ending of the hairpins was specified, as they were shortened by one quaver in comparison with GE. In FE and EE the hairpins were put only in bar 85 and shortened to two middle quaver groups. We adopt the notation of A.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Scope of dynamic hairpins

notation: Articulation, Accents, Hairpins