Page: 
Source: 
p. 5, b. 74-91
p. 1, b. 1-15
p. 2, b. 16-30
p. 3, b. 31-51
p. 4, b. 52-73
p. 5, b. 74-91
p. 6, b. 92-106
p. 7, b. 107-127
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A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
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Pedalling
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A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
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  b. 83-85

Lack of pedalling in A (→GE) is rather an inaccuracy of the notation. In A Chopin started writing the third part of the piece without pedalling remarks, the first signs appear only in bar 105 which opens the subsequent page of the manuscript. The appearance of the indications together with the new page, without a visible relation to the music, indicates Chopin's oversight (cf. remarks concerning bars 87-88, 93 and 121). While revising the whole, Chopin added pedalling in bars 12-13 and 94-95, which confirms that the lack of indications in the remaining bars of the segment including bars 83-104 was not intended.

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Pedalling