Page: 
Source: 
p. 2, b. 16-30
p. 1, b. 1-15
p. 2, b. 16-30
p. 3, b. 31-51
p. 4, b. 52-73
p. 5, b. 74-91
p. 6, b. 92-106
p. 7, b. 107-127
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A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
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A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
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  b. 16

In A (→GE1) and EE1 there is no natural restoring g on the last quaver. It is undoubtedly Chopin's oversight, one of his most frequent ones. The sign was added in GE2 (→GE3GE4) and EE2. It can be assumed that also the natural in FE was added during the proofing (it is absent in the analogous bar 98).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Omissions to cancel alteration

notation: Pitch