mUltimate Chopin

Op. 29, Impromptu in A♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 3, b. 31-51
p. 1, b. 1-15
p. 2, b. 16-30
p. 3, b. 31-51
p. 4, b. 52-73
p. 5, b. 74-91
p. 6, b. 92-106
p. 7, b. 107-127
GE - German Edition
Main text
A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
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Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
Importance
All
Important
Main
Undo Clear
Prezentacja
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copy link PDF GE - German Edition

  b. 42

 

 

 

The range of the diminuendo hairpins is slightly varied. A has the hairpins beginning on the 2nd beat of the bar, similarly as in FE. In GE the hairpins begin just after the minim and end before the last value of the bar. In EE the hairpins are led to the last note. We adopt the concordant notation of A and FE.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Scope of dynamic hairpins

notation: Articulation, Accents, Hairpins