Page: 
Source: 
p. 2, b. 1-15
p. 1
p. 2, b. 1-15
p. 3, b. 16-30
p. 4, b. 31-56
p. 5, b. 57-82
p. 6, b. 83-101
p. 7, b. 102-127
p. 8
GE3 - Second, revised impression of GE2
Main text
A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
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Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
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Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French Edition
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German Edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Second, revised impression of GE2
GE4 - Third impression of GE2
EE - English Edition
EE1 - First English edition
EE2 - Later impression of EE1
Importance
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Important
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copy link PDF GE3 - Second, revised impression of GE2

Original in: Fryderyk Chopin Museum, Warsaw


  b. 11

 

 

In GE2 (→GE3) the pitch of the 2nd and 3rd quaver in the R.H. was changed; undoubtedly, it was done in order to homogenise the analogous versions in bars 11 and 93. The correct text was reintroduced in GE4.

See b. 93

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Pitch