Issues : Scope of dynamic hairpins
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b. 1
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composition: Op. 29, Impromptu in A♭ major
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The range of crescendo is marked in the sources heterogeneously. The shortest hairpins are in A, whereas the longest - in FE. We give the version which complies with the majority of analogous bars. category imprint: Differences between sources issues: Scope of dynamic hairpins |
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b. 2
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composition: Op. 29, Impromptu in A♭ major
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The range of crescendo is marekd in the source heterogeneously. FE and EE have slightly longer hairpins than A (→GE). We give the version which complies with the majority of analogous bars. category imprint: Differences between sources issues: Scope of dynamic hairpins |
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b. 3
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composition: Op. 29, Impromptu in A♭ major
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The range of diminuendo is marked in the source heterogeneously. In A (→GE) the hairpins were lead from the 2nd triplet group to the penultimate quaver. In FE the tie is moved slightly to the left in comparison with A. In EE the hairpins are below the 2nd and 3rd group of the triplet. We adopt A's version. category imprint: Differences between sources issues: Scope of dynamic hairpins |
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b. 6
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composition: Op. 29, Impromptu in A♭ major
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The crescendo hairpins are marked slightly different in each of the sources. The right-hand end of the hairpins in A is unclear. Comparison with analogous bars and FE and EE versions (out of which one is most probably based on a different autograph), enables considering A's notation as inaccurate. We harmonise the notation according to analogous places. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Scope of dynamic hairpins |
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b. 7
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composition: Op. 29, Impromptu in A♭ major
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The crescendo hairpins differ slightly in their range. In comparison with A (→GE), in FE the hairpins are extended on the entire penultimate triplet group. In EE they are totally absent (cf. remark concerning bars 7-9). category imprint: Differences between sources issues: Scope of dynamic hairpins |
