mUltimate Chopin

Op. 29, Impromptu in A♭ major

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Fingering

b. 93-94

composition: Op. 29, Impromptu in A♭ major

Chopin's fingering written into FES & FEJ

No teaching fingering
..

In the main text, we give Chopin fingering inscribed into FES and FEJ in the analogous place of the first section of the Impromptu. Cf. General Editorial Principles, p. 17.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES , Annotations in FEJ

b. 97-99

composition: Op. 29, Impromptu in A♭ major

Chopin fingering written into FES

No teaching fingering
..

In the main text, we give Chopin fingering inscribed into FES in the analogous place of the first section of the Impromptu. Cf. General Editorial Principles, p. 17.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 103

composition: Op. 29, Impromptu in A♭ major

Chopin fingering written into FES

No teaching fingering
..

In the main text, we give Chopin fingering inscribed into FES in the analogous place of the first section of the Impromptu. Cf. General Editorial Principles, p. 17.

category imprint: Differences between sources

issues: Annotations in teaching copies

b. 105-107

composition: Op. 29, Impromptu in A♭ major

 
 
 
..

In FE and EE the fingering given in analogous bars 23-25 (in FE in bar 107 there is one more digit than in bar 25) was repeated. It may suggest that in the manuscript base texts for those editions the 3rd part of the piece was marked in an abbreviated form as the repetition of the first one.

category imprint: Differences between sources