Issues : Errors in EE
|
b. 29-30
|
composition: Op. 29, Impromptu in A♭ major
..
In EE, starting from the 2nd triplet, there are no stems sustaining the sound of the last notes of particular triplets. Most probably, it is a mistake (cf. bar 28). category imprint: Differences between sources issues: Errors in EE |
|||||||||||||
|
b. 38
|
composition: Op. 29, Impromptu in A♭ major
..
In EE the category imprint: Graphic ambiguousness; Differences between sources issues: Errors in EE , Errors in GE |
|||||||||||||
|
b. 45-46
|
composition: Op. 29, Impromptu in A♭ major
..
We give the slur of A (→GE). The slur in FE was led inaccurately – it ends on the 1st chord in bar 46. In EE there is no slur. In comparison with the complete and logic notation of A (slurs in the L.H. are compatible with the phrasing in the R.H.), the slurring in FE and EE in bars 45-50 displays numerous lacks and errors. category imprint: Differences between sources issues: Inaccuracies in FE , Errors in EE |
|||||||||||||
|
b. 46-48
|
composition: Op. 29, Impromptu in A♭ major
..
We give the slur of A (→GE). FE and EE are totally lacking the slur, which can be considered as an obvious oversight. category imprint: Differences between sources issues: Errors in FE , Errors in EE |
|||||||||||||
|
b. 50
|
composition: Op. 29, Impromptu in A♭ major
..
In A (→GE1) and FE there is no natural raising d category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in EE , GE revisions , Omission of current key accidentals |
sign is placed too early, under, and even before the 2nd crotchet of the bar. It is certainly a mistake, similarly as the lack of pedalling in 
1 into d1. In this context, it is undoubtedly Chopin's oversight, one of the most common. The natural was added in all 3 pupils' copies. In