Issues : Long accents
b. 72
|
composition: Op. 29, Impromptu in A♭ major
..
The clearly long accent in A was recreated as a short one in all remaining sources. category imprint: Differences between sources issues: Long accents |
||||
b. 74
|
composition: Op. 29, Impromptu in A♭ major
..
We interpret the accent in A as long one – it is much longer than the short accents in the adjacent bars. In the source the accent is short. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
||||
b. 80
|
composition: Op. 29, Impromptu in A♭ major
..
The clearly long accent in A was recreated in GE as a short one; the similar situation can be found in FE and EE. category imprint: Differences between sources issues: Long accents |
||||
b. 82
|
composition: Op. 29, Impromptu in A♭ major
..
It is unclear whether Chopin wanted to write 3 equal accents in A or different ones. Actually, all three are significantly bigger than, e.g., the accents in bars 83-84, yet the first 2 differ quite clearly between themselves. The editions – as in the entire Impromptu – give only the short accents. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
||||
b. 92
|
composition: Op. 29, Impromptu in A♭ major
..
Lack of the accent in A (→GE1) may be considered as a probable Chopin's oversight. In GE2 (→GE3→GE4) a short accent was already added; it also appeared in FE and EE. We give the long accent after the analogous place in bar 10 in A. category imprint: Differences between sources; Editorial revisions issues: Long accents |