![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Long accents
b. 51
|
composition: Op. 29, Impromptu in A♭ major
..
The long accent in A was interpreted as short in GE and FE. EE is lacking the accent – it is probably an oversight. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
||||
b. 58
|
composition: Op. 29, Impromptu in A♭ major category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
||||
b. 59
|
composition: Op. 29, Impromptu in A♭ major
..
The accent in A, certainly written as long, was recreated as short in the editions. We adopt the notation of the autograph. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
||||
b. 62-63
|
composition: Op. 29, Impromptu in A♭ major
..
We interpret the accents in A as long ones. The editions have short accents, while in GE and EE the second mark was omitted. category imprint: Differences between sources issues: Long accents |
||||
b. 64
|
composition: Op. 29, Impromptu in A♭ major
..
The clearly long accent in A was recreated as a short one in EE and GE, while in FE it was most probably omitted. category imprint: Differences between sources issues: Long accents |