Issues : Deletions in A
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b. 8-9
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composition: Op. 29, Impromptu in A♭ major
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Chopin changed the hairpins' concept in A: he deleted the crescendo hairpins in bar 9 and he prolonged the ones beginning in bar 8. Probably both changes were introduced at the same time: Chopin deleted the short hairpins in bar 9, planning to introduce a longer crescendo indication. In order to do that, he added an extension of the hairpins' arm from bar 8 or even the entire hairpins in two moves (the too short sign and extension). category imprint: Graphic ambiguousness; Corrections & alterations issues: Scope of dynamic hairpins , Deletions in A |
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b. 10
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composition: Op. 29, Impromptu in A♭ major
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In A the entire 2nd triplet in L.H. was corrected several times (probably it concerned the 1st and 3rd quaver). Eventually, Chopin deleted it and wrote the correct version on the pentagram below. category imprint: Corrections & alterations issues: Deletions in A , Accompaniment changes |
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b. 10-11
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composition: Op. 29, Impromptu in A♭ major
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In A one can see corrections of the last quaver in L.H. in bar 10 and the 3rd quaver in bar 11. In both places Chopin changed d category imprint: Corrections & alterations issues: Deletions in A , Accompaniment changes |
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b. 15
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composition: Op. 29, Impromptu in A♭ major
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At the beginning the 3rd quaver in the L.H. in A was an a category imprint: Corrections & alterations issues: Deletions in A , Accompaniment changes |
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b. 15
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composition: Op. 29, Impromptu in A♭ major
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Before the 11th quaver there can be seen a deletion in A; the deleted sign was probably an accidental. category imprint: Corrections & alterations issues: Deletions in A , Enharmonic corrections |
1 into b