mUltimate Chopin

Op. 29, Impromptu in A♭ major

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Ornaments
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

Ornaments

b. 58

composition: Op. 29, Impromptu in A♭ major

 
 
 
..

In FED Chopin added the sign of synchronisation of the R.H. and the L.H.

category imprint: Differences between sources

issues: Annotations in teaching copies , Synchronization markings

b. 62-64

composition: Op. 29, Impromptu in A♭ major

 
 
..

We add the arpeggios according to analogous bars 78-80.

category imprint: Interpretations within context

b. 74

composition: Op. 29, Impromptu in A♭ major

..

The first grace note in EE has the form of a small semiquaver. It is difficult to determine whether it is coherent with the notation of the manuscript (with the small semiquaver or slashed quaver) which served as the base text for this edition.

category imprint: Differences between sources

issues: EE revisions , Notation of grace notes

b. 74

composition: Op. 29, Impromptu in A♭ major

..

In FED Chopin added a sign specifying the manner of performing the trill – synchronisation with the L.H.

category imprint: Differences between sources

issues: Annotations in teaching copies , Synchronization markings

b. 78

composition: Op. 29, Impromptu in A♭ major

 
 
 
 
 
..

The beginning of the trill is recorded in the sources in many ways. The notation of A, GE and EE is the same, as far as the sound is concerned. The distinctly different version of FE raises doubts which are not dissipated even by the correction inscribed into FES.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions