Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 29, Impromptu in A♭ major
The range of the crescendo hairpins in A is ambiguous. We assume the upper arm to be determining. The sign was similarly interpreted in GE. In FE the sign is placed quite earlier, under the 2nd quaver, while EE is totally lacking it.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources
issues: Scope of dynamic hairpins, Errors in EE
notation: Articulation, Accents, Hairpins