



b. 117-118
|
composition: Op. 29, Impromptu in A♭ major
..
Similarly as in bar 117, we consider the short accent to be more plausible. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
||||
b. 117
|
composition: Op. 29, Impromptu in A♭ major
..
Lack of the indication category imprint: Differences between sources |
||||
b. 117
|
composition: Op. 29, Impromptu in A♭ major
..
EE has an additional accent on the 2nd crotchet in the bottom voice in the R.H. category imprint: Differences between sources |
||||
b. 117-119
|
composition: Op. 29, Impromptu in A♭ major
..
EE has additional crescendo hairpins here. category imprint: Differences between sources |
||||
b. 117-119
|
composition: Op. 29, Impromptu in A♭ major
..
The sources differ in the range of use of pedal. In A (→GE) the first pedal includes bars 117-118 and the second one the first crotchet in bar 119. In FE the first pedal was omitted. In EE one pedal covers both pedals of A (→GE). category imprint: Differences between sources |