Issues : Abbreviated notation of A
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b. 14-15
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composition: Op. 43, Tarantella
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In A and FC3 the second grouping of quavers in bars 14-15 is marked in short as the repetition of the first grouping, similarlty to bars 6-7. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 15-32
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composition: Op. 28 No. 5, Prelude in D major
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In A Chopin applied signs indicating a repetition of the preceding figure to mark b. 15 and the L.H. part in b. 32. In FC Fontana also used an abbreviation to mark b. 16 (which resulted in a mistake) and the R.H. part in b. 32. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A , Fontana's revisions |
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b. 17-24
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composition: Op. 64 No 3, Waltz in A♭ major
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In As (→A) bars 17-31 are not written out, but only marked as a repetition of bars 1-15 (in As the only signal of the anticipated repetition are two versions of the ending, corresponding to bars 16 and 32). category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 17-19
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composition: Op. 28 No. 22, Prelude in G minor
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In A (→FC) there are successive letters of the alphabet written under b. 17-24, which were then used to mark b. 25-32 in an abridged manner. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 18
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composition: Op. 25 No 8, Etude in D♭ major
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In A the bar is written in the part of the L.H. in an abbreviated manner, as repetition of the previous one. category imprint: Differences between sources issues: Abbreviated notation of A |