![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Errors resulting from corrections
b. 40-41
|
composition: Op. 38, Ballade in F major
..
Both the omission of the category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Corrections in A , Errors resulting from corrections , EE inaccuracies , Inaccuracies in GC |
|||||||||||
b. 40
|
composition: Op. 38, Ballade in F major
..
Originally, a new slur started in A over the quaver F. Chopin later corrected slurring there but the result of the changes is not quite clear—EE read the correction as changing the place of division, while #CG (→GE) and FE as linking slurs. In the editors opinion both interpretations are justified:
We regard the former of the above interpretations as more likely, and give this version in the main text. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Inaccurate slurs in A , Errors resulting from corrections |
|||||||||||
b. 40-41
|
composition: Op. 2, Variations, complete
..
In addition to the category imprint: Editorial revisions; Corrections & alterations issues: EE revisions , Corrections in A , Errors resulting from corrections , Errors of A |
|||||||||||
b. 43-46
|
composition: Op. 25 No 1, Etude in A♭ major
..
In bar 43 the slurs of AI and A are certainly inaccurate – the shortening is related to the use of •/• signs in AI and the correction-deletion in A.
The slurs over the passages in bars 44-47 appear in AI only at the beginning and end of this section. Both slurs appear to be fragmentary, so it seems that Chopin marked the beginning and the end of one slur in such a way. The reason for this incomplete notation could have been the octave sign, impeding a clear introduction of the middle part of the slur (a similar situation is to be found in the Etude in E The authenticity of the unbroken slur of FE seems to be highly unlikely. Lack of division is probably a result of misunderstanding at the time of reading the slurs of the handwritten base text. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Corrections & alterations issues: Inaccurate slurs in A , Errors resulting from corrections |
|||||||||||
b. 43
|
composition: Op. 25 No 11, Etude in A minor
..
The three-note chord in FE is the original version, which is proved by the visible deletion of the b category imprint: Differences between sources; Corrections & alterations issues: Errors resulting from corrections , GE revisions , Authentic corrections in GC |