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Issues : Chopin's hesitations
b. 19
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composition: Op. 2, Variations, complete category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Chopin's hesitations , Main-line changes |
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b. 20-24
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composition: Op. 24 No. 3, Mazurka in A♭ major
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Compared with AI Chopin made the ending of the middle phrase of the Mazurka in A (→GE→FE→EE) longer by two bars. The composer wavered as regards tying or repeating the first c2. In the main text we take account of a tie to this note added by Chopin while correcting the FE (→EE). category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Main-line changes , Changed phrase length |
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b. 20
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composition: Op. 10 No 2, Etude in A minor
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In the sources there are three enharmonically different forms of this chord. Two of them are inaccurately written: in CLI there are no flats lowering d to d category imprint: Differences between sources; Corrections & alterations issues: Accidentals in different octaves , Chopin's hesitations , Omission of current key accidentals , Accompaniment changes , Enharmonic corrections |
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b. 20-22
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composition: Op. 10 No 2, Etude in A minor
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The crotchets in the lower voice in the R.H. present in Ap at the end of bars 20 and 22 – in accordance with the scheme valid in these bars – are additionally underlined with accents. In the autograph the crotchets in these places are also included in the L.H. category imprint: Differences between sources issues: Chopin's hesitations , Accompaniment changes |
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b. 21-22
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composition: Op. 10 No 2, Etude in A minor
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The octave chords in Ap constitute, as it seems, only a transitional modification of the initial concept of seventh chords. Cf. bars 23-24. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes |