Issues : Abbreviated octaves' notation
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b. 129-131
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Same as in bars 121-123, in GC in the part of the left hand only the top notes of the octaves are written (except for the last two in bar 131). The bottom ones were marked in an abbreviated manner with the help of the con 8va - - - indication. category imprint: Differences between sources issues: Abbreviated octaves' notation |
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b. 168-170
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composition: Op. 2, Variations, complete
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As in b. 128-131, the fact that the bass line was not doubled an octave lower in AsI may be just a simplified version of notation. In A the doubled line was marked with con 8va, which was elaborated in the editions. category imprint: Differences between sources; Corrections & alterations issues: Bass register changes , Abbreviated octaves' notation |
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b. 192-198
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composition: Op. 39, Scherzo in C♯ minor
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In GC (→GE) and FE the lower notes of the L.H. octaves in bars 192-194 and 198 were marked in an abbreviated manner with the digits 8. In EE, they were written out in notes, and we adopt that notation as matching today's standards. Similarly in bars 199, 236-240 & 486-493. See also the note concerning bars 195-196. category imprint: Editorial revisions; Source & stylistic information issues: Abbreviated octaves' notation |
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b. 193-194
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composition: Op. 21, Concerto in F minor, Mvt I
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In A the octaves in the L.H. are written in an abbreviated manner with single notes with the following annotation: con 8 - -. category imprint: Source & stylistic information issues: GE revisions , Abbreviated octaves' notation |
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b. 199
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composition: Op. 39, Scherzo in C♯ minor
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In GC (→GE) and FE the lower note of the octave in the L.H. is marked in an abbreviated manner by means of the digit 8. category imprint: Editorial revisions; Source & stylistic information issues: Abbreviated octaves' notation |
