Issues : Inaccuracies in A
|
b. 9
|
composition: Op. 28 No. 3, Prelude in G major
..
In A (→FE1) there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
||||||||||||
|
b. 9
|
composition: Op. 28 No. 10, Prelude in C♯ minor
..
In A (→FC,FE) there is no category imprint: Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in FE |
||||||||||||
|
b. 10
|
composition: Op. 38, Ballade in F major
..
In A (→GC) the lack of a dot extending the f1 crotchet at the beginning of the bar is most probably an inaccuracy – cf. bar 18 and also e.g. 38 and 40. The dot was added in all first editions. category imprint: Interpretations within context issues: Inaccuracies in A |
||||||||||||
|
b. 10-11
|
composition: Op. 25 No 1, Etude in A♭ major
..
The category imprint: Differences between sources issues: Inaccuracies in GE , Unclear hairpins in A , Inaccuracies in A |
||||||||||||
|
b. 10
|
composition: Op. 21, Concerto in F minor, Mvt II
..
In A (→GE1→FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Errors in GE , GE revisions , Inaccuracies in A |
raising c1 to c
1 at the beginning of the 2nd group of semiquavers. That patent oversight of Chopin was corrected by Fontana in 
lowering d
in 
mark, contrary to it, added in bar 10 in a proofreading of 
lowering f to f
. Chopin's patent oversight was corrected in