Issues : Inaccuracies in A
b. 469-471
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composition: Op. 31, Scherzo in B♭ minor
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There is no accidental before the last note in b. 469 and before the penultimate one in b. 471 in A. This patent inaccuracy was corrected by Fontana in FC (→GE). Initially, both bars were deprived of the marks in FE; moreover, in b. 469 the discussed note was printed an octave too high (perhaps considering the use of an octave sign). That version was passed on to EE1, which added only the in b. 471. In FE in the last phase of proofreading the note in b. 469 was moved to the right pitch, adding a next to it, yet the mark in b. 471 was not added. In EE2 (→EE3) the pitch of the last note in b. 469 was corrected in accordance with the logic of the passage's structure, yet the was not added. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Errors in EE , Authentic corrections of FE , Fontana's revisions , Inaccuracies in A |
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b. 470
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composition: Op. 21, Concerto in F minor, Mvt III
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A features a cautionary before e3 in the last triplet, yet the necessary lowering d3 to d3 is missing. A flat was added already in GE1 (→FE→EE, →GE2), however, no source removed the superfluous . category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Last key signature sign , Inaccuracies in A |
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b. 471-472
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composition: Op. 21, Concerto in F minor, Mvt III
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In A the only accidentals in each of these bars are two flats before the 1st quaver in the R.H. All 9 remaining necessary flats were added already in GE1 (→FE→EE, GE2). All next passages until bar 479 are written in a similarly simplified manner – cf. bars 473, 474-475, 476-477, 478-479. We regard all added accidentals in bars 471-479 as a revision, although it cannot be excluded that Chopin participated, even partially, in proofreading works on GE1. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 473
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composition: Op. 21, Concerto in F minor, Mvt III
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In A, Chopin provided with sharps only the 1st octave in the L.H. and the first two quavers in the R.H. Six out of seven remaining necessary sharps – except f in the L.H. – were added already in GE1 (→FE), whereas the last one in EE and GE2 (EE added also, like in our main text, a cautionary before the last quaver). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 474-475
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composition: Op. 21, Concerto in F minor, Mvt III
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In A (→GE1→FE) there are no sharps next to the top notes of the octaves on the 2nd beat of each of these bars. The patent inaccuracy was rectified in EE and GE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , GE revisions , Inaccuracies in A |