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Issues : GE revisions
b. 585
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composition: Op. 11, Concerto in E minor, Mvt I
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In the sources, placing an accent under the tied note of the R.H., which deprives the mark of its actual meaning, suggests an inaccuracy in reproducing the Stichvorlage. In the main text, we repeat the notation of the analogous bar of exposition (bar 235) – a long accent over the L.H. part. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE , GE revisions |
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b. 586
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composition: Op. 11, Concerto in E minor, Mvt I
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Omission of one bar in slurring of such accompanying figures must be considered an inaccuracy. Therefore, in the main text we include the whole-bar slur added already in EE and GE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 588-620
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composition: Op. 31, Scherzo in B♭ minor
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Differently than in the two previous appearances of this theme (b. 5-37 and 137-169), in b. 588, 596, 612 and 620 there are no wedges at all in A. In turn, Chopin twice introduced separate marks for the L.H., which we consider to be determinant for the entire fragment. The use of double marking could have been related to the presence of longer, tied notes in the preceding motifs. The same unification was introduced in GE, whereas the notation of FC and FE (→EE) has to be regarded as inaccurate or erroneous. category imprint: Differences between sources; Editorial revisions issues: Errors in FE , GE revisions , Wedges , Inaccuracies in FC |
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b. 589
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composition: Op. 11, Concerto in E minor, Mvt I
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Both notations are almost equivalent; however, in exposition Chopin changed the former to the latter, formally less strict yet simpler and thus more explicit, in several dozen bars (see bars 257-263). In the further part of recapitulation, it is also the latter that prevails; hence we consider this place an example of an overlooked proofreading of an analogous place and we include the change introduced in GE in the main text. See also bars 601-603. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Omitted correction of an analogous place |
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b. 589-590
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composition: Op. 31, Scherzo in B♭ minor
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In accordance with the analysis of the Chopinesque category imprint: Differences between sources; Editorial revisions issues: Long accents , Inaccuracies in GE , GE revisions , EE inaccuracies |