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Issues : Inaccuracies in A
b. 294
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composition: Op. 2, Variations, complete
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The absence of c1 in the last chord is most probably an oversight by the engraver of GE (→FE,EE) caused by the notation of A, which is not entirely clear. The presence of this note in AsI, however, is a strong argument for a similar interpretation of the notation of A. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in GE , Uncertain notes on ledger lines , Inaccuracies in A |
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b. 295
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composition: Op. 21, Concerto in F minor, Mvt I
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In the part of the R.H. A (→GE1→FE) has only one category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 295-297
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composition: Op. 31, Scherzo in B♭ minor
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According to us, the majority of the sources led the slur up to b. 297 in order to clearly mark the fragment of A, heavily crossed out. A comparison with analogous b. 274, 376 & 397 proves that Chopin considered a slur reaching b. 296 to be enough, and this is the one we give in the main text. It was also the crossings-out that were probably the reason for the missing slur in the L.H., which we hence add. The differently led slurs of GE2 (→GE3), which repeated the erroneous slurs of GE1 from b. 274-275, cannot be justified, in terms of both sources and music. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Inaccuracies in A |
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b. 298-300
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composition: Op. 2, Variations, complete
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In R.H. figurations Chopin considers accidentals to be valid also in adjacent octaves. Therefore, in A there are no flats to the 9th, 12th and 15th semiquavers in bar 298 (a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 304
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composition: Op. 2, Variations, complete
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In this bar, we consider the absence of the first out of two slurs present in previous two, analogous bars to be Chopin's inadvertence (the composer's distraction probably also impacted the category imprint: Editorial revisions issues: Inaccuracies in A |