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Issues : Errors of A
b. 7
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composition: Op. 28 No. 8, Prelude in F♯ minor
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There are no accidentals before the last pair of demisemiquavers in A. Therefore, they should be interpreted as c category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Omissions to cancel alteration , Errors of A |
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b. 7
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composition: Op. 28 No. 9, Prelude in E major
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When interpreted literally, the chord on the 3rd beat of the bar in A (→FC) consists of the following notes: F category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Errors of A , FE revisions |
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b. 7
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composition: Op. 28 No. 10, Prelude in C♯ minor
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Holding the g category imprint: Editorial revisions issues: Rhythmic errors , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 8
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composition: Op. 10 No 5, Etude in G♭ major
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In A the first chord in the L.H. is a crotchet. The possible mistake (theoretically it could be considered as a simplified two-voice notation) was corrected in FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: Rhythmic errors , Errors of A , Authentic corrections of FE |
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b. 8
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composition: Op. 10 No 6, Etude in E♭ minor
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In A there is no category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |