Issues : EE revisions
b. 1
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composition: Op. 10 No 4, Etude in C♯ minor
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Chopin did not write the title of the piece in AI, although it is hard to believe that in August 1832, at the stage of completing the entire Op. 10, he could have even considered naming it differently than Etude. The conviction is not hampered by the fact that at the end of the editorial autograph of the Etude in E major, No. 3, Chopin uses the determination of tempo-character il presto con fuoco for the identification of the subsequent etude in the collection. In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and the dedication (in EE) most probably come from the editors. See the Etude in C major, No. 1, bar 1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Dedications , GE revisions |
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b. 1
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composition: Op. 10 No 4, Etude in C♯ minor
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In the version prepared for print, the first fingering numerals appear not until bar 12. However, during the lessons with Chopin, the indications concerning the fingering proved to be necessary already earlier. In the main text we consider the fingering written by Chopin in FES. In EE Fontana also offered his suggestion for bar 1, yet this fingering, avoiding the use of the 1st finger on black keys, diverts from the one by Chopin. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FES |
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b. 1
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composition: Op. 10 No 3, Etude in E major
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In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and dedication (in EE) most probably come from the editors. See the Etude in C major, No. 1, bar 1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Dedications , GE revisions |
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b. 1-5
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composition: Op. 10 No 3, Etude in E major
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The detailed fingering of the first phrase in EE is an addition by Fontana. category imprint: Differences between sources issues: EE revisions |
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b. 1
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composition: Op. 25 No 1, Etude in A♭ major
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In the main text we give the title and dedication in accordance with the title page of the entire opus in A (we develop the Mme and Csse abbreviations used in A) and FE. In A (→GE) and FE, the particular etudes are provided with an additional title, Etude, with a corresponding ordinal number, which we represent through the number preceding the score. In EE, the numbering includes 12 Etudes, Op. 10, hence this etude is No. 13. category imprint: Differences between sources issues: EE revisions , Dedications , GE revisions , Deletions in A |