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Issues : Corrections of AI
b. 132-133
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composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Main-line changes , Corrections of AI |
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b. 139
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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It seems that both published versions of the beginning of this bar were already present in AI, in which one can see a crossing-out of the crotchet, probably G category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Chopin's hesitations , Accompaniment changes , Corrections of AI |
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b. 159
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In this layout, the rest in AI, although formally justified, could suggest the g category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Deletions in A , Corrections of AI |
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b. 166
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In the main text we give the simplified – most probably by Chopin in [AG] – notation of GE. The only perceptible difference affecting the performance is the rhythmic value of the f1 note in the chord on the 2nd quaver of the bar. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Chopin's hesitations , Corrections of AI |
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b. 195
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composition: Op. 2, Variations, complete
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There are two versions in AsI – the earlier one, written in normal-sized notes, which we consider to be the text of this source, and the later one, marked with additional small notes. This second version, almost identical to the one added in AsI in bar 179, can be considered a first attempt at the final version appearing in other sources. The notation of the second version is not univocal:
category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Main-line changes , Corrections of AI |