mUltimate Chopin

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b. 1

composition: Op. 28 No. 11, Prelude in B major

Fingering written into #FESz

No teaching fingering
..

In the main text we include the fingering digit entered probably by Chopin into FESch.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FESch

b. 1

composition: Op. 28 No. 1, Prelude in C major

..

category imprint: Differences between sources; Source & stylistic information

issues: Errors in FE , FE revisions

b. 1-2

composition: Op. 44, Polonaise in F♯ minor

Longer slurs in GE

Shorter slurs in FE (→EE)
..

In the main text we put longer slurs after GE, which was based on [A]. It is also compliant with the slurring in subsequent bars.

category imprint: Differences between sources

b. 1-4

composition: Op. 44, Polonaise in F♯ minor

Single slurs in FE (→EE) & GE1

Double slurs in GE2
..

In GE2 L.H. slurs were added in b. 1-4; we consider them superfluous – in such parallel sequences, particularly those written on one stave, Chopin would be satisfied with single slurs, which should be regarded as referring to both hands.

category imprint: Differences between sources

issues: GE revisions

b. 1

composition: Op. 28 No. 23, Prelude in F major

Arpeggio sign in A (→FE→EE)

No marking n FC (→GE)
..

Fontana overlooked the arpeggio mark in FC (→GE).

category imprint: Differences between sources

issues: Errors of FC