Issues : Omission of current key accidentals
b. 16
|
composition: Op. 10 No 11, Etude in E♭ major
..
In A there is no lowering g to g on the 5th quaver in the bar. The accidental was added in FE (→GE,EE). category imprint: Differences between sources issues: Omission of current key accidentals , Authentic corrections of FE |
|
b. 16
|
composition: Op. 25 No 1, Etude in A♭ major
..
In A, CDP, FE, and EE1, there is no raising d2 to d2. This patent oversight was corrected in GE and EE2 (→EE3). AI also includes the correct notation. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Omission of current key accidentals , Errors of A |
|
b. 16-17
|
composition: Op. 28 No. 3, Prelude in G major
..
In FCI there are no naturals lowering f2 to f2 in these bars. It must be an inaccuracy of notation – see the comment on b. 18-22. category imprint: Interpretations within context; Differences between sources |
|
b. 16
|
composition: Op. 2, Variation IV, primitive version
..
Both manuscripts are missing a few necessary accidentals in this bar – a to g2 and naturals to g2, d1 and g1. In addition, in AsI the to d2 is missing. On the other hand, in A there is an unjustified to c1 in the last L.H. figure. The latter and both accidentals written in A to the topmost R.H. notes are placed much lower than the noteheads they concern. category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Accidentals in different octaves , Cautionary accidentals , Omission of current key accidentals , Accidental below/above the note , Inaccuracies in A |
|
b. 17-18
|
composition: Op. 10 No 5, Etude in G♭ major
..
The missing naturals raising c1 to c1 in A are a patent error by Chopin. category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of FE , Last key signature sign |