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Issues : Fontana's revisions
b. 15
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composition: Op. 28 No. 18, Prelude in F minor
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In A there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Fontana's revisions , Inaccuracies in A |
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b. 16-29
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composition: Op. 28 No. 3, Prelude in G major
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In both copies by Fontana, abridged notation was used in a few places to mark repeated L.H. semiquaver figurations (in b. 29 also in the R.H.) – in FCI in b. 16, 19-22 and 29, in FC in b. 16, 19-21 and 29. category imprint: Differences between sources issues: Fontana's revisions |
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b. 16
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composition: Op. 28 No. 4, Prelude in E minor
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The range of the category imprint: Graphic ambiguousness; Differences between sources; Source & stylistic information issues: EE revisions , Scope of dynamic hairpins , Errors in EE , FE revisions , Fontana's revisions , Inaccuracies in A |
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b. 17
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composition: Op. 28 No. 24, Prelude in D minor
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In A there are no naturals raising b category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Omission of current key accidentals , FE revisions , Fontana's revisions , Inaccuracies in A |
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b. 17
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composition: Op. 28 No. 18, Prelude in F minor
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In A there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Fontana's revisions , Inaccuracies in A |