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Issues : Errors resulting from corrections
b. 22-23
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composition: Op. 28 No. 16, Prelude in B♭ minor
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Before the 7th semiquaver in A there was initially a category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Errors resulting from corrections , FE revisions , Errors of FC |
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b. 24
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composition: Op. 10 No 11, Etude in E♭ major
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In A there is no category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Corrections in A , Errors resulting from corrections , Enharmonic corrections , Authentic corrections of FE |
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b. 24
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composition: Op. 28 No. 11, Prelude in B major
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In the 1st half of the bar, the only mark in A is a category imprint: Differences between sources issues: Errors resulting from corrections , Errors of A , FE revisions , Fontana's revisions |
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b. 24
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composition: Op. 28 No. 12, Prelude in G♯ minor
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The suggested version based on an A major chord can be considered an acceptable variant. The version was probably the initial one in A; Chopin then changed it to a version that does not sonically diverge from the next two bars. According to us, that change, however, could have been a result of a confusion: b. 24-25 could have been taken for b. 25-26. category imprint: Interpretations within context; Editorial revisions; Source & stylistic information issues: Corrections in A , Errors resulting from corrections |
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b. 25-27
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In bars 25-28 A initially had the rhythm category imprint: Differences between sources issues: Errors resulting from corrections , Rhythmic errors , Errors of A |