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Issues : Chopin's hesitations
b. 9-15
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composition: Op. 10 No 2, Etude in A minor
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The articulation of the accompanying two-note chords, extended in Ap in bars 9-10 and 13-15, seems to be a one-time exclusive idea or a certain transitional phase in the shaping process of the Etude's text. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes |
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b. 9
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composition: Op. 25 No 5, Etude in E minor
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Both versions of the 1st note of this bar are undoubtedly authentic, yet determining which one could have been considered final by Chopin faces major difficulties. The version with f category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Chopin's hesitations , Accompaniment changes , Authentic corrections of FC |
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b. 9
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composition: Op. 2, Variations, complete
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At the end of the later version of the orchestral introduction added to AsI, there is also the 1st bar of the solo piano part, which differs in detail from both the final and the original version, written in the main sequence of #ApI. In particular, at the beginning of the bar there is a R.H. crotchet chord, which we cite as evidence of Chopin's hesitation – this chord is present neither in the earlier version of #ApI nor in the latest version, prepared for printing. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations |
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b. 10
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composition: Op. 29, Impromptu in A♭ major
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In A the 3rd quaver was changed twice: from e category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Chopin's hesitations , Accompaniment changes |
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b. 10
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A one can see corrections on the 2nd beat of the bar – the R.H. figure was crossed out and rewritten on the stave above. Chopin wanted to change the enharmonic notation of the 5th and 6th demisemiquavers from f category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Deletions in A , Enharmonic corrections |