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Issues : Errors repeated in FE
b. 12
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A (→FC,FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in FE |
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b. 12
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composition: Op. 28 No. 15, Prelude in D♭ major
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The version of A (→FE,FC→GE1), without a category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Annotations in teaching copies , EE revisions , Annotations in FED , GE revisions , Omission of current key accidentals , Errors of A , Annotations in FES , Errors of FC , Errors repeated in FE |
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b. 12-13
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A (→FC,FE) there is no accidental before the 4th semiquaver in the 3rd group, which would result in f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A , Errors repeated in FE |
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b. 12
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composition: Op. 28 No. 18, Prelude in F minor
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In A (→FC,FE1) there are no accidentals before the last semiquaver (in both hands), which, when interpreted literally, gives d1 and d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 13
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composition: Op. 28 No. 7, Prelude in A major
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In A (→FE) and CGS there is no accidental before the bottom note of the last R.H. crotchet. Therefore, it should be interpreted as an a category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omissions to cancel alteration , Errors of A , Annotations in FES , Fontana's revisions , Errors repeated in FE |