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Issues : Partial corrections
b. 282
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composition: Op. 21, Concerto in F minor, Mvt III
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FE1 has an a category imprint: Differences between sources issues: EE revisions , Errors in FE , Terzverschreibung error , Partial corrections |
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b. 346
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composition: Op. 21, Concerto in F minor, Mvt I
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In GE1 the semiquaver opening the characteristic main motif of this movement of the Concerto, recalled here, is A category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE , Partial corrections |
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b. 430
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composition: Op. 16, Rondo in E♭ major
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In the editors' opinion, the c2-e category imprint: Differences between sources; Editorial revisions issues: Errors in FE , GE revisions , Partial corrections |
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b. 570
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composition: Op. 11, Concerto in E minor, Mvt I
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The additional category imprint: Differences between sources issues: Errors in GE , Partial corrections |
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b. 618-619
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composition: Op. 11, Concerto in E minor, Mvt I
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The lack of autograph impedes the unravelling of the actual meaning of two ties present in FE (→GE,EE). In a similar melodic and rhythmic context, appearing in Chopin's pieces on a number of occasions, a note falling on a strong beat of bar is always played (repeated) – cf. e.g. bars 220-221 and 571-572 or 606-609. Therefore, it seems highly likely that in this case Chopin also wanted to repeat a1 at the beginning of bar 619. Traces of corrections visible in FE in bar 619 point to misunderstandings at the time of implementing proofreading as a possible reason for the unintentionally left tie of that note. category imprint: Editorial revisions issues: Partial corrections |