Issues : Abbreviated octaves' notation
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b. 59-60
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composition: Op. 27 No 2, Nocturne in D♭ major
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In the three teaching copies, the bass notes in bar 59 were doubled with lower octaves. In FES the octave progression is consistently brought to the beginning of bar 60. In our opinion this means that Chopin considered the version with the octaves at least equivalent to the version of A (→GE→FE→EE), in which single notes appear. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Authentic post-publication changes and variants , Annotations in FEJ , Bass register changes , Abbreviated octaves' notation |
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b. 64
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composition: Op. 10 No 1, Etude in C major
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Lack of the lower octave in CLI may be a consequence of an oversight, however, due to a different version of the subsequent bar, it is not entirely sure. In FE the octave is written in an abbreviated form. category imprint: Differences between sources issues: Abbreviated octaves' notation , Errors of CLI |
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b. 64-66
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composition: Op. 10 No 8, Etude in F major
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The E1-E octaves at the beginning of bars 64 and 66 are briefly written with the digit 8. category imprint: Source & stylistic information issues: Abbreviated octaves' notation |
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b. 65-66
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composition: Op. 10 No 1, Etude in C major
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The version of CLI is definitely original. In the main text we give the more subtle version of FE (→GE,EE; in EE2 without the tie sustaining E). category imprint: Differences between sources; Source & stylistic information issues: Errors in EE , Accompaniment changes , Abbreviated octaves' notation |
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b. 68-76
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composition: Op. 10 No 1, Etude in C major
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The octaves in bars 68 and 72 in CLI are written in an abbreviated form – only the upper note and 8 below it. In FE the notation was preserved only in bar 72. category imprint: Source & stylistic information issues: Abbreviated octaves' notation |
