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Issues : Cautionary accidentals
b. 3
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composition: Op. 25 No 7, Etude in C♯ minor
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category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 3
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composition: Op. 25 No 8, Etude in D♭ major
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In A (→GE) and FE there is a superfluous category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals |
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b. 3-4
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A one can see that three accidentals were crossed out; it seems that Chopin wrote them "just in case." Afterwards, it turned out that they were superfluous – the category imprint: Source & stylistic information issues: Cautionary accidentals , Deletions in A |
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b. 3
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composition: Op. 2, Variations, complete
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In the main text we add cautionary flats to b category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 3-4
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composition: Op. 30 No. 4, Mazurka in C# minor
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In bar 3 all sources feature a completely unjustified The sharp in bar 3 must have been entered into [A] by Chopin. According to us, it could be an echo of the initial notation of bars 1-2, in which the top R.H. minim was written down as g1. category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information issues: EE revisions , GE revisions , Cautionary accidentals , Enharmonic corrections |