Issues : Abbreviated octaves' notation
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b. 45-52
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composition: Op. 2, Variations, complete category imprint: Differences between sources; Source & stylistic information issues: Abbreviated octaves' notation |
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b. 46
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composition: Op. 10 No 2, Etude in A minor
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The sources differ in the number of octaves written in an abbreviated form with the use of 8: three in CLI, the 2nd and 3rd in Ap, 3rd in FE. Both in GE and EE the use of abbreviations was totally rejected. category imprint: Differences between sources issues: EE revisions , GE revisions , Authentic corrections of FE , Abbreviated octaves' notation |
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b. 47-50
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composition: Op. 10 No 1, Etude in C major
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The version of CLI is undoubtedly earlier and less developed. In FE (→EE), and partially also in GE1 and GE2 (→GE3), the octaves in the L.H. are written in an abbreviated form. category imprint: Differences between sources issues: Accompaniment changes , Abbreviated octaves' notation |
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b. 49
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composition: Op. 27 No 2, Nocturne in D♭ major
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The sense and authenticity of this sign in FED is doubtless, yet due to the much more powerful and longer-sounding bass register of contemporary pianos this variant may only be used with utmost caution. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants , Bass register changes , Abbreviated octaves' notation |
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b. 52-53
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composition: Op. 10 No 1, Etude in C major
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Lack of lower octaves in CLI is almost certainly a result of the copyist's error – the octaves are there both in the previous and in the next bars. In FE (→EE) the octaves are written in an abbreviated form with the use of the 8 sign. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated octaves' notation , Errors of CLI |
