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Issues : Corrections of AI
b. 20-24
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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In b. 20 and 24, AI initially contained the original concept of the L.H. part: category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections of AI |
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b. 20
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composition: Op. 2, Variation IV, primitive version
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The sound of the 3rd group in AsI is a puzzle in this bar. In the L.H. part, a repetition of the preceding figure is marked, hence a broken dominant chord in the key of B category imprint: Differences between sources issues: Corrections of AI |
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b. 26
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composition: WN 37, Lento con gran espressione
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The initial version of A1 was corrected still in this autograph (inaccurately – the penultimate L.H. quaver, b, remained unchanged), whereas the sources based on [A2] already contain the changed version (regardless of the rhythmic changes). The version of EL may be Kolberg's revision after the analogy with b. 22. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Errors resulting from corrections , Errors of A , Corrections of AI , Kolberg's revisions , Revisions in EL |
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b. 33-34
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composition: Op. 25 No 1, Etude in A♭ major
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In the original version, written in AI, the bottom notes of the figuration in the R.H. double the melodic line from the middle of bar 33 – a category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes , Corrections of AI |
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b. 35
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composition: Op. 25 No 1, Etude in A♭ major
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In AI it can be seen that it was the one octave lower E category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Corrections of AI |